KV331 Audio KV SynthMaster

Description

Features

• Cross-platform VST, AU and AAX: SynthMaster runs as a VST, AAX instrument on both Windows and Mac OSX, and also as an Audio Unit instrument on Mac OSX.
• 1100 Factory Presets: SynthMaster comes with 1250 factory presets from a world class team of sound designers: Arksun, BigTone, Michael Kastrup, Rob Lee, Umit ‘Insigna’ Uy, Ufuk Kevser, Aiyn Zahev, Frank ‘Xenox’ Neumann, Teoman Pasinlioglu, Nori Ubukata, Gercek Dorman, Vorpal Sound and Brian ‘Xenos’ Lee.
• Semi-Modular Architecture: For each SynthMaster instance, there are 2 layers followed by 2 global effect send busses. Each layer has its own: Arpeggiator, 2 Oscillators, 4 Modulators, 2 Filters, 4 ADSR Envelopes, 2 Multistage Envelopes, 2 2D Envelopes, 2 LFOs and 4 Keyscalers. The modulators can modulate frequency, phase, amplitude or pulse width of the oscillators or any other modulators at audio rate, or they can be used as regular oscillators.
• Massive Modulation Architecture: SynthMaster has more than 650 modulation targets and 95 modulation sources including ADSR Envelopes, 2D Envelopes, Multistage Envelopes, LFOs, KeyScalers, Easy Parameters, Vocoder Bands, MIDI Velocity, Aftertouch, Pitch Bend and MIDI CC. Each modulation target can have up to 4 modulation sources. The modulation matrix, which has 64 available slots, has visual filtering as well so that targets for a specific source, or sources for a specific target can be filtered and shown on the user interface.
• Easy Parameters: SynthMaster features 8 easy knobs and 2 XY pads that can be freely assigned as modulation sources, so that the complexity of the synth engine could be hidden away and only most important parameters of a preset can be controlled by the user. The easy parameters can be globally linked to MIDI controllers, and they can be assigned automatically by SynthMaster as well.
• Powerful Arpeggiator: The arpeggiator in SynthMaster features classic arpeggiator modes such as Up, Down, UpDown, DownUp, UpDown2, DownUp2, AsPlayed as well as Sequence, Chord and Arpeggiate modes. Each of the 32 steps of the arpeggiator has its own Velocity, Note Number, Note Length, Slide and Hold parameters.
• Basic Oscillators: ‘Basic’ oscillators in SynthMaster are capable of synthesizing many different types of waveforms: Sine, Square, Triangle, Sawtooth, Pulse, Noise, single cycle waveforms and multisampled WAV/AIFFs defined in SFZ files. Each oscillator comes with 17 different algorithms in the following categories: Spectral (LP, HP, LS, HS, BP, BS), Bend (Bend+, Bend-, Bend+/-), Sync (Rect Window, Half Cos Window, Cos Window, Tri Window, Saw Window), Pulse (Pulse1, Pulse2) and Quantize.
• Additive Oscillators: An ‘Additive’ oscillator is actualy 8 ‘basic’ oscillators running together. Each ‘basic’ oscillator has its own detune, tone, phase/pulse width/algorithm parameter, frequency, waveform type and algorithm parameters.
• Vector Oscillators: A ‘Vector’ oscillator consists of 4 ‘basic’ oscillators, mixed at different ratios. The mix ratios are determined by 2 orthogonal parameters in 2 dimensions: ‘X Index’ and ‘Y index’.
• Wavetable Oscillators: A ‘Wavetable’ oscillator is similar to basic oscillator, except that the waveform can be scanned (interpolated) through 16 different waveforms shapes. The position of the waveform can be adjusted using the ‘wave index’ parameter.
• Stereo Oscillators with Unison/Voice Stacking: Oscillators in SynthMaster have stereo output. Using the “voices”, “voices mix”, “detune curve”, “detune spread”, “pan stread”, “tone spread” and “phase spread” parameters, each basic/wavetable oscillator can generate a rich “supersaw” type sound.
• Analog Filters: The ‘analog’ filters are modelled after the famous ladder filter, so they self oscillate when the filter resonance is maxed out. They have continuosly variable slope, which is unique to SynthMaster. They have 3 different CPU settings: “Basic”, “Normal” and “High”. The Basic setting sounds similar to the other algorithms in most cases and consumes at least 50% less CPU.
• Digital Filters: The ‘digital’ filters are biquad filters with a hard limiter in their output. The limiter features an envelope follower with attack, release and threshold parameters.
• Multimode Filters: With the new ‘multimode’ filter type, it is possible to switch from Lowpass to Bandpass to Highpass filter types continuously. For analog multimode filters, it is also possible to change the slope of the filter continously from 0 db/oct to 24 db/oct.
• Dual Filters: With the new ‘dual’ filter type, two multimode filters can be run simultaneously, either in parallel, or in series. The mix ratios between the filters, and the topology (parallel/series) between them can be changed continuosly, as well as the modes and cutoff frequencies of the filters.
• Comb Filters: Comb filters are digital filters used in physical modeling synthesis.
• Before/Inside/After Filter Distortion: A distortion stage can be inserted before, after, or even inside the filters. For analog filters, the distortion is applied for each of the 4 filter stages in ‘inside’ mode.
• Rich Set of Effects: SynthMaster features 11 different effect types: Distortion, LoFi, Ensemble, Phaser, 6 Band EQ, Compressor, Vocoder, Delay, Chorus, Tremolo, Reverb.
• Flexible Effects Routing: Each of the 11 effect types can be inserted on any layer insert or on any of the 2 global effect bus inserts.
• Microtuning: SynthMaster supports Scala tuning, so tuning can be set either for each preset or globally by loading from a Scala tuning file.
• Preset Browser: SynthMaster features a comprehensive preset browser with separate search criterias for instrument type, preset attributes, music style or preset author.
• Online Preset Browser: Registered users can upload their presets to the online preset library, or browse and download presets created by other registered users; using the preset browser right inside the plug-in window.
• Multiple Skins: SynthMaster comes with 3 different skins in different color variations. Using the included user interface editor, users can not only customize the existing skins but also can create their own custom interfaces as well.
• Importing MIDI patterns as Arpeggiator Sequence: Monophonic or even polyphonic (chord) MIDI patterns can be imported into the arpeggiators in SynthMaster by just drag and drop of the MIDI file onto the arpeggiator view on the plugin window.
• Importing WAV/AIFF Multisamples as SFZ definitions: Multisamples in WAV/AIFF formats could be imported into SynthMaster as SFZ definitions, by simply drag and drop of the WAV/AIFF files onto the oscillator waveform view on the plugin window.

Red Line Music is an authorized KV331 dealer.